Posts in Blog
Printers Row Lit Fest - Audrey And Eddie Discuss Bizarre Romance With Donna Seaman

Authors Audrey Niffenegger and Eddie Campbell, whose works have both been inspired by visual representation, some even converted to films, will be discussing their newest anthology Bizarre Romance with a fellow member of the writing and editing community, Donna Seaman. This collection both celebrates and satirizes the many types of love we experience as humans. The various relationships explored by the variety of authors will be an inspiration for conversation.

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Announcing the "Master Edition" of Alan Moore & Eddie Campbell's FROM HELL

Jack is back — and this time, the blood is red.

For decades, the award-winning graphic novel FROM HELL has welcomed readers into the grandeur and grime of London in the late 1800s. The New York Times-bestselling opus is an achievement the New Yorker dubs “remarkable” and Entertainment Weekly calls “an immense, majestic work about the Jack the Ripper murders, the dark Victorian world they happened in, and the birth of the 20th century.”

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How the Goats Got Jack Johnson

Michael Taube has written a review of The Goat Getters for the Washington Times. He writes: 

“The Goat Getters” is a scintillating examination of how some legendary cartoonists helped change newspapers and its readership. They marched to the beat of their own drummer, and challenged societal norms and preconceived notions to make America a better country. That’s surely what they would have advised Mr. Trump to do with Jack Johnson’s long-awaited pardon."

The rest of the article can be read by clicking here.

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Inkstuds Podcast: Eddie Campbell, 2018

Wherein I talk about Bizarre Romance, The goat Getters, and the upcoming revised FROM HELL.

Click here to listen to the podcast.

I haven't checked this podcast to find out if I'm an idiot, but I've been one for too long so the die is cast. I do remember laughing a lot, as always happens when I talk to Robin McConnell.

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Secret Lives: Review of Bizarre Romance in the Times Literary Supplement

Lucy Scholes interviewed Eddie and Audrey for the Times Literary Supplement a few weeks ago.

"'It amused us to make a twisted, twenty-first century romance comic while pursuing our own romance from distant corners of the globe,' Niffenegger explains in the introduction."

If you are a subscriber, you can read the article here

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'The man's a genius!': Alan Moore and Neil Gaiman on Eddie Campbell

Alan Moore and Neil Gaiman have some very nice things to say about Eddie Campbell in a recent interview by David Barnett for the Guardian. 

Eddie Campbell is a genius. But don’t take my word for it, take Alan Moore’s. “Eddie’s is a genuine one-off talent, utterly idiosyncratic and personal,” he says. Or perhaps Neil Gaiman’s: “The man’s a genius, there’s an end to it.”

Read the full article by clicking here.

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Secret Life with Cats

To celebrate the release of Bizarre Romance, Audrey and Eddie collaborated with Ken Gerleve (animation) and Alex Kliner (music) to produce a series of short animations based on some of the characters from Bizarre Romance. We hope you enjoy watching them as much as we enjoyed making them.

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The Lady with Ocelots

To celebrate the release of Bizarre Romance, Audrey and Eddie collaborated with Ken Gerleve (animation) and Alex Kliner (music) to produce a series of short animations based on some of the characters from Bizarre Romance. We hope you enjoy watching them as much as we enjoyed making them.

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The Wrong Fairy

To celebrate the release of Bizarre Romance, Audrey and Eddie collaborated with Ken Gerleve (animation) and Alex Kliner (music) to produce a series of short animations based on some of the characters from Bizarre Romance. We hope you enjoy watching them as much as we enjoyed making them.

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Cockroach Can Can

To celebrate the release of Bizarre Romance, Audrey and Eddie collaborated with Ken Gerleve (animation) and Alex Kliner (music) to produce a series of short animations based on some of the characters from Bizarre Romance. We hope you enjoy watching them as much as we enjoyed making them.

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Octopus Vs. Mr. Death's Exterminators

To celebrate the release of Bizarre Romance, Audrey and Eddie collaborated with Ken Gerleve (animation) and Alex Kliner (music) to produce a series of short animations based on some of the characters from Bizarre Romance. We hope you enjoy watching them as much as we enjoyed making them.

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Literary power couple Audrey Niffenegger and Eddie Campbell on their novel new team-up

Sarah Hughes has interviewed Audrey and Eddie for i News (inews.co.uk.) 

Collaboration can be a tricky business, rife with the possibilities for misunderstandings or battles over two different visions. Throw a new marriage into the mix and surely the potential for argument and falling out is high? “Not at all,” says Audrey Niffenegger, best-selling author of The Time Traveller’s Wife. She has spent the past year working with her new husband, Scottish comics artist and cartoonist, Eddie Campbell on Bizarre Romance, a captivating set of short stories written by her and drawn by him. “In fact, because we haven’t been married long we still had that newly-wed energy, that sense of being besotted with each other, which really helped.” 

Read the rest of the interview by clicking here.

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Join the Bizarre Romance Parade and Let Your Skeleton Jangle!

To celebrate the release of Bizarre Romance, Audrey and Eddie collaborated with Ken Gerleve (animation) and Alex Kliner (music) to produce a series of short animations based on some of the characters from Bizarre Romance. We hope you enjoy watching them as much as we enjoyed making them.

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How a best-selling wife and husband enchant readers in the anthology ‘Bizarre Romance’

Michael Cavna recently interviewed Eddie and Audrey for the Washington Post

When it comes to using creative frameworks, the “Bizarre Romance” authors also thought in terms of music — specifically, the structure of an album.
The anthology’s 13 chapters, which are each very distinct in their visual styles, all “concern themes that I’ve been interested in all my life: love and loss, the ordinary and the fantastic, the relationship between art and daily life,” Niffenegger says. “When we collected them and began to think about how to shape them into a book, we started talking about albums and mix tapes, and how it would be great if each story had art that exactly suited it, like the instrumentation of a song, instead of trying to come up with one style that straitjacketed them all into conformity.
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